Logo

  • women
  • mainboard
  • image
  • development
  • men
  • mainboard
  • development
  • about
  • contact
  • socials
  • become a model
mediaslide model agency software
Fever Management
  • women
  • mainboard
  • image
  • development
  • men
  • mainboard
  • development
go
  • about
  • contact
  • socials
  • become-a-model
mediaslide model agency software
< back to the board
Hyeon Park
  • book
  • overview
Hyeon
Park
Hyeon Park portfolio picture
Hyeon Park portfolio picture Hyeon Park portfolio picture
Hyeon Park portfolio picture Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture Hyeon Park portfolio picture
Hyeon Park portfolio picture Hyeon Park portfolio picture
Hyeon Park portfolio picture Hyeon Park portfolio picture
<
>
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park portfolio picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
Hyeon Park overview picture
At 4 a.m. in rainy Paris
Recent condition @pshadow___
그의 채도가 감소할 때쯤
그의 색을 제거한 순수한 빛만이 보인다

그의 빛을 향해 바닥에 손을 두 번 짚는다
그의 채도처럼 바닥엔 찬 온기가 느껴지며
눈시울이 붉은 노을로 물들어 눈을 감게한다

죽음이란 얼마나 밝은 것인가
검정 정장 속 흰 와이셔츠처럼
영정사진 속 흑백사진엔 순수한 빛의 웃음만 남겨둔다

죽음이란 얼마나 어두운 것인가
병풍 뒤 그의 마지막 냄새를 
향을 피워 그의 향을 다 삼켜버리니 

양면 속에서 살아간다
월식과 일식 속에서 

빛과 어둠 속에서 
나의 그림자 위에서 Photo @_kimsungmin
@hedmayner 26ss
“Not what to capture, but how to see.” We need to let go of the visual habit of searching for specific subjects in photographs. To move away from subject-centered photography, we can intentionally create blurred images or capture unfocused backgrounds, offering a new way of viewing photographs. This aims to make the viewer feel the visual stimulus itself rather than simply trying to interpret the photograph. Every moment in life gradually fades over time. I don’t reject that fading; I embrace it. In the memories where form disappears, only color and light remain, and through them, I see the fragments of time accumulated within me. The pain, joy, or even the numbness I’ve felt is revealed through these blurred images. Sometimes, certain memories are too vivid to bear. In those moments, I deliberately blur the focus, because there are memories I don’t want to leave too clear. In the haze, I find a sense of safety. Of course, I believe we must be cautious of distorting and overinterpreting our memories. However, when I live too cautiously, I find that I lack the space and ease to love myself fully. In the end, accepting the distortion and exaggeration of memory as part of my emotions may be the true path to finding peace. Memory, by nature, is blurred and imperfect. Yet, within that imperfection, it is crucial to understand and love myself. In blurred images, traces of emotion and the texture of time are embedded. They don’t simply vanish but continue to breathe within me, becoming the essence of who I am. @pshadow___
overview picture
< back to overview
  • height 6' 2'' / 188cm
  • chest 35½'' / 90cm
  • waist 28½'' / 72cm
  • hips 35'' / 89cm
  • shoe 10 us / 44 eu
  • hair Black
  • eyes Brown
  • instagram
  • download book
  • height 6' 2'' / 188cm
  • chest 35½'' / 90cm
  • waist 28½'' / 72cm
  • hips 35'' / 89cm
  • shoe 10 us / 44 eu
  • hair Black
  • eyes Brown